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Τεκμήριο Πολιτική επικοινωνία(Πάντειο Πανεπιστήμιο Κοινωνικών και Πολιτικών Επιστημών, 2013) Ψύλλα, Μαριάννα; Πάντειο Πανεπιστήμιο, Τμήμα Επικοινωνίας, Μέσων και ΠολιτισμούΤεκμήριο Ανάλυση μηνύματος(Πάντειο Πανεπιστήμιο Κοινωνικών και Πολιτικών Επιστημών, 2011) Ψύλλα, Μαριάννα; Πάντειο Πανεπιστήμιο, Τμήμα Επικοινωνίας Μέσων και ΠολιτισμούΤεκμήριο Δημόσιες πολιτικές και επικοινωνιακή δράση(Πάντειο Πανεπιστήμιο Κοινωνικών και Πολιτικών Επιστημών, 2012) Ψύλλα, Μαριάννα; Πάντειο Πανεπιστήμιο, Τμήμα Επικοινωνίας Μέσων και ΠολιτισμούΤεκμήριο Humanistic research, information resources and electronic communication(European Commission, 1999) Δάλλας, Κωνσταντίνος; Πάντειο Πανεπιστήμιο, Τμήμα Επικοινωνίας Μέσων και ΠολιτισμούThe purpose of this paper is to illustrate in what ways electronic communication, and the useof information in the humanities, differs from the practice of “hard” sciences, and to identifyissues and problems that need to be tackled in that respect. It argues that the humanities forma challenging and potentially rewarding field for electronic communication, with requirementsthat are directly dependent upon the methodologies, intellectual traditions and practicesof its constituent disciplines. It benefits from the views expressed in several recent reports,summarising the effects of information technology on arts and humanities research, and reflectingthe urgency of establishing priorities in this fieldΤεκμήριο An agency-oriented approach to digital curation theory and practice(Archives & Museum Informatics, 2007-09-30) Δάλλας, Κωνσταντίνος; Πάντειο Πανεπιστήμιο, Τμήμα Επικοινωνίας Μέσων και ΠολιτισμούDigital curation emerged as an important new concept in the theory and management of cultural information, not least because of its broad applicability and promise of a universal approach to ensure future “fitness for purpose” of digital information. This paper explores curatorial traditions in the field of museums and cultural heritage, in order to contribute to the active current debate on the nature, scope and methods of digital curation. It uses an approach inspired by cultural-historical activity theory in order, first, to understand current digital curation practice, its achievements and limitations; secondly, to explore key activities in the cultural heritage field, i.e., knowledge production in archaeological fieldwork and publication, museum curation, and meaning interaction in exhibition visitor experience. On account of these insights, it concludes that, in order to ensure the declared objective of future “fitness for purpose”, and avoid the risk of epistemic failure, more effort should be dedicated by the digital curation community to developing adequate knowledge representation of digital information in specific epistemic and pragmatic contexts; that an agency-based approach, using event-centric approaches to represent knowledge on the content and context of information, would be particularly useful in some application domains; and that formal methods to curation lifecycle based on belief change and ontology evolution could also be used in modeling the co-evolution of the epistemic content and context of curated knowledge.